So first I need to acknowledge
that this post is a counter-blog to the very well written piece by Julia
Bodiford which can be found here.
I grew up with
Disney films like almost all American children. If movies were not coming out
into theaters then they were being released on VHS and DVD. Then, later, these
films got released onto TV and can now be found streaming onto Netflix and
other service-sites.
What I’d like to counter Julia’s article with is a kind of “companion” piece that discusses the nature of the male Disney characters. Essentially, I argue that Disney isn't so much solely slanted to being pro-male or anti-female as they are simply being geared towards less-complex storytelling, ie: Disney isn't the place to expect depth. I want to explore this through the other side of the Disney paradigm of characters, the princes and other male lead characters.
The first BIG
Disney film I really remember was Little Mermaid, much like Julia. Unlike Julia
however I had no gender-centric characters to attach myself to ~ Ariel is
literally THE only developed character – she has agency, she has desires, she
acts her age ( 16 years old supposedly ), and she has personality. The only
male characters are King Triton who is a borderline abusive autocrat ( the
scene where he destroys Ariel’s collection still bothers me ), the insane chef in the castle, Prince Eric’s steward, and Eric himself.
Quick, name
something about Eric other than the fact he is handsome.
Yea, there actually
isn't anything about him. His whole character exists to serve as a McGuffin for
Ariel so she can learn lessons about life. I’d argue their “love” is infatuation
and nothing else. Basically while Eric is rich, European (?), and a noble … he
isn't anything else. I find it interesting that I loved The Little Mermaid so
much considering I ( as a male child ) had so little to relate with.
Eric was nothing
however compared to Prince Philip from Sleeping Beauty, my other favorite
Disney film.
I should also point
out here that I mainly loved Ursula and Maleficent as a kid? Until Scar and
Frolo came along they were THE best Disney bad guys and I loved every scene
they had.
Anyway …
Prince Philip is,
quite simply, the shallowest and most emotionally useless character. Which is
to be expected as the Prince in the original myth of Sleeping Beauty wasn’t
exactly a stand out character in literature either. Disney was not setting out
to re-make these famous stories exactly, just slant them. For the most part all
the characters in the famous Disney adaptations are much like their folk-tale
counterparts.
So, back to Philip –
I liked him when I was little because he slew Maleficent, however that is all
he did. He was without any real character at all and I argue is NOT a character
~ like Prince Eric, he is a plot device.
DO I EVEN HAVE LINES? |
The Prince from
Snow White? No personality.
Prince Charming
from Cinderella? No personality.
“Prince Adam” from
Beauty and the Beast? So, this is a questionable topic but I’ll handle this as
best I can? I never thought Belle, who is quite possibly one of the best Disney
characters *for the most part*, should have ended her Hero Journey by settling
down with Adam. Why? Because Adam’s life of getting over his inner-demons had
just started. He’d been a monster (literally) for YEARS – he’d locked Belle and
her father up in a dungeon – he’d kept his whole staff imprisoned and resigned
to their (horrible?) jobs for YEARS. Yes, it is great that he learned about
love and sacrifice, but he JUST learned it. Beast simply had too many issues to
get past in my opinion before he could be a good ruler, husband, or even FRIEND
to Belle/The village/etc…
Now, to defend
Beast and all the above Disney films? These are not Disney’s exclusive stories.
Cinderella, Sleeping Beauty, Little Mermaid, Beauty and the Beast? All are ageless
stories, none of whom were intended to explicitly* be stories about role-models
and such. They pointed to bigger things than gender which ( I believe )
conflicts with our modern-day sensibilities for how/why we watch and absorb
media these days.
*Some lend themselves to having serviceable role-model characters, but this is not the norm
One of the things I
think that shoots Disney in the foot is that they can’t bring up sexuality in an explicit fashion with children in the same way the older stories/myths could with adults. Tangled, Disney’s recent film? It is obviously based
off the Rapunzel story, a story so rife with sexual imagery and meanings that
to cut that out leaves a sizable void in the narrative.
Sooooooo Disney worked in frying pans.
The fact the Disney
Prince characters exist in the state they do is because Disney is a company who
needs to cater to values for families ( their target audience ), however they
are working with source material that is all-age specific and can encompass
issues like death, sexuality, human rights, and more.
Oddly, one of the
things Disney has managed to keep in their stories that were important to the
nature of older stories ( myth and folktale alike ), is death. Disney is
lampooned rather harshly for their portrayal of orphans, dying parents, and
more, however this is one of the universal lessons stories have needed to
impart since the dawn of time:
PEOPLE PASS ON. HOW
WOULD YOU HANDLE MORTALITY? CAN YOU HANDLE LOSS? ARE YOU STRONG ENOUGH TO
HANDLE THESE ISSUES? HOW WILL YOU TEACH YOUR KIDS?
But back the Princes.
The best examples sadly
for “princes” oddly are the ones who deviate the most from their myth
counterparts. Aladdin and Hercules are some of the more positive masculine
princes since they both embrace stereotypical male characters who start by
WANTING male-power fantasy fetishes ( riches and fame ), but in the end
disregard those things for other people. Jasmine might be one of the worst
examples of a Disney princess in my opinion, but Aladdin goes through emotional
and personal growth to learn power/lies won’t get you love. Honesty will,
however.
Hercules is one of
the silliest re-hashes of Greek myth ever and I've brought up some things about
this story here. Hercules does however start out by wanting the standard male
dream – power and the fame that goes with it. He obviously wants recognition
from his father Zeus but it’s love for another person that really helps him
grow. That is something I believe all young men and boys need to learn over the
course of their lives.
Both the Aladdin and Hercules stories are almost beyond being able to be adapted properly. They are from very, very old stories, stories whose topics are rather dark. Especially Hercules. I think it should be brought up as well that the dominant male hero character stable steams from the fact that Disney is using myths from a time that was not female-centric as far as most myths went. Their exclusion of female characters as the hero-solving leads I think comes more from the archaic nature of the source lore and because Disney willingly decided to adapt the myths vs re-make them.
As I wrap this up I guess I am just left realizing that, as film characters, the "Princes" of Disney serve few purposes ~ they exist to ONLY 'save the day,' they need a woman to complete their lives, and they rarely seem to posses the ability to grow past their mental/personal issues as apart of a whole movie. Still, considering the source material and Disney's older stances on how they wanted to adapt the original myths these characters came from? I guess (sadly) I can't be surprised.
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